Pan McMillan / Tor
592 pages
592 pages
It is not that common to see a
writer starting his career with a 10-book fantasy series. It is even less
common to see the same author, more than a decade later, revisiting some of the
main tropes of science fiction with so much success. Only a few are capable of
this and Adrian Tchaikovsky is clearly one of them.
Actually, unless memory fails me,
most of his published work in the last 2-3 years are mainly Sci-Fi, with the exception
of the novella Made Things or,
earlier, Redemption’s Blade. Which is
quite significant considering that Adrian is publishing two or three books a
year and fantasy seems to cope with most of the space in the shelves in bookshops.
The Doors of Eden starts when two youngsters, Lee and Mal, are on
the hunt for mysterious animals or mythological beings. On one of this
expeditions to Bodmin, in Cornwall, one of them disappears. Four years later,
the missing comes to life. Where has she been all this time? Despite of the
initial set-up, which looks more like a young adult novel, the book shortly
becomes a techno-thriller that involves the MI5, scientists and other
characters with different background. Nothing to envy to some classic TV series
as Fringe, as an example.
Parallel to this timeline we can read some excerpts from a book called Other
Edens: Speculative Evolution and Intelligence written by Ruth Emerson, a
teacher in the University of California. This book tells us about how the
various biological changes during Earth evolution created different Earths and
other worlds and timelines. These dense but not long chapters are a complete
mind-blowing writing by Tchaikovsky. The level of information and documentation
is both amazing and overwhelmed.
Do you remember the girl that
went missing searching mysterious animals? I’m not doing much spoiler if I say
that all the alternative worlds been generated since the beginning of times are
cracking and beings from other Earths are travelling from their worlds to ours
and vice versa. The book follows the adventures of this motley team trying to
sort the issue while the rest of humanity have not yet realise about it. Other
planets beings evolution is significantly different to Earth: highly evolved
rats, flying dinosaurs and, who could’ve imagined, insects! Among other species
that you’ll find out during the reading.
The addition of these interconnected
worlds gives great value to a novel that in itself would have been a fabulous techno
thriller as seen in the first half of the novel, making this book an infinite
journey of incalculable consequences. Not just that, Tchaikovsky also includes
references to certain current events such as Brexit, climate change or nationalisms.
This is a novel that requires
some of the reader attention while reading it. Multiple points of view and
different realities coming up calls for some attention at the same that the
pace of the novel does not slow down during most of it. As much time as you
dedicate to build the world’s imagine by Tchaikovsky in your mind, the more you
will enjoy it.
I’m pretty sure this might be one
of the most ambitious science fiction novels of the last few times. For sure, it
is more than Children of Time and,
possibly, even more than the fantastic Children
of Ruin. Adrian Tchaikovsky is decided to review some of the most important
topics of the genre and he can count on me for reading them.
Stanislaw Lem ya no está entre nosotros. Afortunadamente, tenemos a Tchaikovsky.
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